The Mars Volta is an American progressive rock band from El Paso, Texas, formed in 2001 and currently based out of Mexico.[1] Founded by guitarist Omar Rodríguez-López and vocalist Cedric Bixler-Zavala, the band incorporates various influences including progressive rock, krautrock, jazz fusion, hard rock, Latin American music, and the rhythmic complexity of math rock into their sound. They are known for their energetic and improvisational live shows, as well as their concept-based studio albums. In 2009, the band won a Grammy in the "Best Hard Rock Performance" category for the song "Wax Simulacra."[2] They were named rock music's "Best Prog-Rock Band" of 2008 by Rolling Stone magazine.[3] ContentsBand name History Formation and beginning ''De-Loused in the Comatorium'' ''Amputechture'' ''The Bedlam in Goliath'' ''Octahedron'' Forthcoming album Band members Current Timeline Former Discography Studio albums References External links Band nameCedric Bixler-Zavala stated in an interview: The definite article "The" is used to distinguish the band from a group of European ambient electronica artists that previously used the name "Mars Volta." History Formation and beginning The roots of The Mars Volta are found in the band At the Drive-In.[4] ATDI members Cedric Bixler-Zavala and Omar Rodriguez-Lopez formed an experimental, dub reggae-influenced side project called De Facto, which featured Bixler-Zavala on drums, Rodriguez-Lopez on bass, Isaiah "Ikey" Owens on keyboards, and Jeremy Michael Ward on vocals, loops and sound effects. Due to creative differences and discomfort with mainstream success and drug abuse,[5] ''De-Loused in the Comatorium'' Following Tremulant, The Mars Volta continued touring with a fluid line-up while preparing to record their debut full-length album De-Loused in the Comatorium, produced with Rick Rubin and released on June 24, 2003. Whereas Tremulant had no general theme (except the prophetic mentioning) De-Loused was a unified work of speculative fiction telling the first-person story of someone in a drug-induced coma, battling the evil side of his mind. Though lyrically obscure, The Mars Volta stated in interviews that the album's protagonist is based on their late friend Julio Venegas, or "Cerpin Taxt", who was in a coma for several years. When he woke up, he jumped from the Mesa Street overpass onto Interstate-10 in El Paso during afternoon rush-hour traffic. Venegas' death was also referenced in the At the Drive-In song "Ebroglio" from their album Acrobatic Tenement. The Mars Volta had no official bassist during the recording session, but Flea (of the Red Hot Chili Peppers) played bass on nine of the album's ten songs, with Justin Meldal-Johnsen playing double bass on "Televators." Flea's bandmate John Frusciante also contributed additional guitar, synthesizer and backing vocals to "Cicatriz ESP". Despite limited promotion, De-Loused earned strong reviews, and appeared on several 'year-end best-of' lists. The album remains The Mars Volta's best-seller, with over 500,000 copies sold. The band later released a limited-edition storybook version of the album, available by download from the Gold Standard Laboratories website. The book speaks of Cerpin Taxt (Julio Venegas) and his suicide. While on tour with the Red Hot Chili Peppers in support of the album, founding member Jeremy Michael Ward was found dead of a drug overdose.[6] In 2005, the band released Frances the Mute. The story given by the band on the album's concept concerns a diary that had been found in a repossessed car by late sound technician Jeremy Ward, while working as a repo-man. The author of the diary is unknown but appeared to be someone who was adopted and was searching for their birth parents, and who may have suffered from mental illness caused by the death of a loved one. The lyrics for each track on the album are loosely based on characters and life events described in this person's diary. Frances the Mute started as a bigger commercial hit than De-Loused, moving 123,000 copies in its first week, and debuting at #4 on the Billboard album charts.[7] Reviews of Frances were generally positive (with a 75 on Metacritic) if somewhat polarized; Rolling Stone called it "a feverish and baroque search for self that conjures up the same majesty and gravity as Led Zeppelin three decades before", while Pitchfork Media called it "a homogeneous shitheap of stream-of-consciousness turgidity."[8] However, even the detractors of Frances the Mute generally praised the band's musical abilities.[9] "L'Via L'Viaquez" was later released as a single, stripped down from its original 12-minute length to five minutes. Frances the Mute has sold nearly 465,000 copies in the United States, according to Nielsen SoundScan ratings.[10] Rodriguez-Lopez wrote all the instrumental parts as well as arranging and producing the recording sessions himself. He used a method that Miles Davis used to invoke great performances from bandmates: refusing to let the other members hear each other's parts, or the context of their own part, thereby forcing them to play each part as if it were a self-sufficient song. In order to accomplish this, the musicians recorded to the pulse of a metronome. While in the studio, Rodriguez-Lopez recruited Adrián Terrazas-González to play saxophone, flute, and additional wind instruments for the album. Terrazas-González was added as a permanent member to The Mars Volta while touring in support of Frances the Mute. Several songs written during the original recording sessions for the album never made the cut. Notably, the self-titled 14-minute epic "Frances The Mute" should have originally formed the opening track to the album, but was abandoned for reasons unknown. Instead the track featured as a b-side on the single release for "The Widow". The band has only played "Frances The Mute" at few concerts, therefore, it has been rarely heard. The Mars Volta on stage at the Vegoose Festival. On May 20, 2005, instead of playing a traditional set at KROQ's Weenie Roast Festival, the band played a 50-minute improvisation jam that was jokingly named on-the-spot as "Abortion, The Other White Meat" by Rodriguez-Lopez. In keeping with the Mars Volta tradition of testing and developing new work live, parts of "Abortion" later appeared on "Population Council's Wet Dream" from Rodriguez-Lopez's 2009 album Old Money. Mid-way through their headlining U.S. tour, former At the Drive-In member Paul Hinojos (also known as Pablo) left the band Sparta to join The Mars Volta, claiming, "My time with Sparta has run its course, and simply wasn't fun anymore." Hinojos joined as rhythm guitarist and became the band's sound manipulator, the position previously held by the late Ward. Hinojos had previously toured with The Mars Volta in 2003 and 2004. During mid-2005, the band toured in support of the album with System of a Down and curated the All Tomorrow's Parties festival.[11] In addition, a full-length live album named Scab Dates was released on November 8, 2005. ''Amputechture'' Upon finishing the majority of touring for Frances the Mute in fall 2005, Rodriguez-Lopez traveled to Amsterdam and wrote what became Amputechture, which was released on September 8, 2006 in Europe, on September 9, 2006 in Australia and on September 12, 2006 in the U.S. Rodriguez-Lopez spent much of his time in Amsterdam working on and performing various solo projects most notably under the name "Omar Rodriguez Quintet." During this time Rodriguez-Lopez also composed the score to the film El Búfalo de la Noche, which was written and directed by Guillermo Arriaga and Jorge Hernandez Aldana respectively. The Mars Volta as a whole performed the score. Amputechture was produced by Rodríguez-Lopez and mixed by Rich Costey. Jeff Jordan provided the artwork, making it their first album not to feature the work of Storm Thorgerson. It was once again a concept album, but rather than telling a story, the album was based upon a single idea, with each song looking at it from a different perspective. It became the last album with drummer Jon Theodore, whom Rodriguez-Lopez fired before touring in support of the album. Rodriguez-Lopez said in an interview with an Italian fan site that Theodore was the only member in the band who wasn't happy playing live and brought down the moods of the rest. The Mars Volta playing with John Frusciante in Toronto on September 25, 2006. John Frusciante was featured on every track on Amputechture, except for "Asilos Magdalena." Rodríguez-Lopez contributed the solos and riffs where the guitar work needed to be doubled. Bixler-Zavala said in an interview, "...he taught Frusciante all the new songs and Frusciante tracked guitars for us so Omar could sit back and listen to the songs objectively. It's great that he wants to help us and do that." On July 28, 2006, the drummer's spot was filled by Blake Fleming, formerly of Laddio Bolocko, Dazzling Killmen, and the very first Mars Volta demos. A new song titled "Rapid Fire Tollbooth" was debuted live on September 22, 2006 in Chicago, Illinois, as reported by fans and attendees of the show who had received set lists from the stage. The song originally appears on Rodriguez-Lopez's solo album Se Dice Bisonte, No Bufalo. The song eventually evolved into the track "Goliath" from the band's fourth studio album. On September 25, 2006, The Mars Volta played a unique set on the opening night of a double-header in Toronto, Ontario. Cedric Bixler-Zavala fell ill and could not perform, so The Mars Volta played with John Frusciante on third guitar. The set consisted of over 47 minutes of instrumental material, including a lengthy cover of the Pink Floyd composition "Interstellar Overdrive." On October 17, 2006, while opening for the Red Hot Chili Peppers in East Rutherford, New Jersey, the band played with drummer Deantoni Parks. Rodriguez-Lopez fired Fleming because of complications within the band. Parks remained with the band only until the conclusion of the Japanese tour because of his prior commitments with other bands. On October 31, 2006 in Cleveland, Ohio, as Parks couldn't perform, The Mars Volta played approximately 40-minute improvisation set with another drummer, Thomas Pridgen. On a 2007 episode of The Henry Rollins Show, The Mars Volta performed "Tetragrammaton" and "Day of the Baphomets" in a rare television performance. Afterwards, they did an interview with Rollins about the creation of Amputechture. ''The Bedlam in Goliath'' Thomas Pridgen playing at the Roy Wilkins Auditorium in Saint Paul, Minnesota on April 21, 2008. In 2007, Thomas Pridgen became the new permanent drummer for the band. Pridgen's first full-time appearance was at the March 12 show in New Zealand, where the band debuted the song "Idle Tooth" which was later renamed "Wax Simulacra" for the forthcoming album. After shows in New Zealand and Australia, The Mars Volta toured a few West Coast venues as the headliner, then entered the studio to record their fourth LP, The Bedlam in Goliath.[12] One of these performances was captured in a forthcoming live concert DVD shot by director Jorge Hernandez Aldana.[13] Despite finding a permanent drummer and getting the band back on track, the recording and production of the album was reportedly plagued by difficulties related to a bad experience with a Ouija board purchased in a curio shop in Jerusalem.[14] According to Rodriguez-Lopez, their original engineer experienced a nervous breakdown, his studio flooded twice, and both he and mixer Rich Costey claimed that various tracks would disappear at random. On November 5, 2007, The Mars Volta released a document by Jeremy Robert Johnson titled, "The Mars Volta's Descent into Bedlam: A Rhapsody in Three Parts."[15] The document includes a history of the band and describes the obstacles and inspirations they encountered in the creation of The Bedlam in Goliath. On November 20, 2007 "Wax Simulacra", the first single from the forthcoming album, was released with a cover of "Pulled to Bits" by Siouxsie and the Banshees as the b-side. The band kicked off their supporting tour with a December 29, 2007 "secret show" at the Echoplex in Los Angeles, California, followed by a special New Year's Eve performance at San Francisco's Bill Graham Civic Auditorium.[16] That night they played their first ever acoustic set, which included six songs and live performance of "Miranda, That Ghost Just Isn't Holy Anymore" The band then departed on a club tour of east coast U.S. throughout January, with an album release show at San Diego's Soma, followed by another month's worth of European dates from mid-February to mid-March. On January 2, 2008, The Mars Volta released an online game called "Goliath: The Soothsayer", based on a true story that inspired their forthcoming album The Bedlam In Goliath. The album chronicles the band's purported experience with the "Soothsayer", a Ouija board owned by vocalist Cedric Bixler-Zavala and its transition from a source of fun on tour to a psycho-spiritual force that almost tore the band apart. The game was available for a limited time exclusively via Amazon.com.[17] On January 17, 2008, the band made their U.S. network television debut, performing "Wax Simulacra" on The Late Show with David Letterman (Rodriguez-Lopez, Bixler-Zavala and Hinojos had appeared on the show with At the Drive-In in 2000). On January 22, they made a surprise appearance at Toronto, Canada's MTV Live studios, where they performed "Wax Simulacra" and an extended version of "Goliath." In late January, the new album debuted at a career-best #3 on the Billboard 200. The song "Wax Simulacra" won the 2009 Grammy Award for Best Hard Rock Performance. It was the band's first nomination and win.[18] The band members thanked their families and Bixler urged people not to forget the memories of the recently departed Lux Interior and Ron Asheton. ''Octahedron'' Rodriguez-Lopez had discussed the band's next album as early as January 2008, the month that The Bedlam in Goliath was released,[19] claiming "I consider it to be our acoustic album."[20] Cedric Bixler-Zavala had expressed an urge for the album to not be released on a major label.[21] In February 2009, Rodriguez-Lopez claimed "the next two Mars Volta records are already recorded and waiting for a release date."[22] On April 14, 2009, The Mars Volta announced their fifth studio album, entitled Octahedron. It was released June 23 in the United States and June 22 in the rest of the world. According to Vintage Vinyl Records St. Louis MO the LP will not be released until July 21 with 500 limited edition LP's.[23] In a spirit of distillation of the band's sound, Rodriguez-Lopez asked saxophonist Adrián Terrazas-González and guitarist/sound manipulator Paul Hinojos to leave.[24][25] Regarding their departure, percussionist Marcel Rodriguez-Lopez noted that: "it's like we got a whole new band. It's two less members — we got to play differently."[26] Omar Rodríguez-López playing at the Roy Wilkins Auditorium in Saint Paul, Minnesota on April 21, 2008. The first single released in North America was "Since We've Been Wrong". The first European single was "Cotopaxi". Forthcoming album No official news has been released on the band's next album. According to various interviews with Rodriguez-Lopez, he has decided to put the supposed follow up album to Octahedron on hold. The reason for this is that he thought the album he recorded to be the band's sixth album sounds "boring" to him now. He claims to have started working on a completely new album as the follow up. No mention has been made of what the album will sound like, or any titles for songs or the album itself. In addition, other future projects have been mentioned by band members. Rodriguez-Lopez is also working on a film documenting the entire history of the band including studio and backstage footage taken over the years. Another is a new live album similar to Scabdates featuring songs from Frances the Mute and Amputechture.[27]. In a recent interview to Rolling Stone Rodriguez-Lopez stated that he is trying to learn to loosen his grip in the studio. Usually, when he's done with the music, he gives it to singer Cedric Bixler-Zavala with a story and a concept and then oversees the writing of the lyrics. For the band's sixth album he's just passed the tracks along and is trying to be patient while Bixler-Zavala writes, without pressure, for the first time. ”This is very hard for me,” Rodriguez-Lopez tells Rolling Stone, ”and there's not a day where I look at the phone and don't want to call him, asking, 'You got something? Come on!' This is my first challenge, to let him do it at his own pace. He's always painted by what I told him, and I didn't say anything. I want his stories.”[28] In May 2010, the band entered pre-production for the forthcoming album.[29] Band members According to the liner notes for Amputechture, The Bedlam in Goliath and Octahedron: "The partnership between Omar Rodriguez-Lopez & Cedric Bixler-Zavala is The Mars Volta. These compositions are then performed by The Mars Volta Group." Current Omar Rodriguez-Lopez – guitar, production, live backing vocals (2001–present) Cedric Bixler-Zavala – lyrics, vocals (2001–present) Isaiah Ikey Owens – keyboards (2001–present) Juan Alderete – electric bass (2003–present) Marcel Rodriguez-Lopez – percussion, synthesizers (2003–present) In the studio, former Red Hot Chili Peppers guitarist John Frusciante will record most rhythm and additional guitar tracks while Omar performs lead parts, engineers and produces. (2002–present in studio, occasionally part of a live setting) [30] Timeline RoleAlbum Tremulant (EP)(2002)De-Loused in the Comatorium(2003)Frances the Mute(2005)Amputechture(2006)The Bedlam in Goliath(2008)Octahedron(2009) Guitar/DirectionOmar Rodríguez-López Vocals/LyricsCedric Bixler-Zavala KeyboardsIsaiah "Ikey" Owens DrumsJon TheodoreThomas Pridgen BassEva GardnerFleaJuan Alderete de la Peña Percussion—Marcel Rodriguez-Lopez Sound ManipulationJeremy Michael Ward—Pablo Hinojos-Gonzalez— Wind—Adrián Terrazas-González— Former Sound Manipulators Jeremy Michael Ward – (2001–2003) Paul Hinojos (also performed additional guitar) – (2003–2004 live, joined officially 2005–2008) Drummers Jon Theodore – (August 2001–July 2006) Blake Fleming – (August 2001, July−September 2006) Deantoni Parks – (September−October 2006) Thomas Pridgen – (October 2006–October 2009) David Elitch - (November 2009−February 2010) Bassists Eva Gardner – (2001–2002) Ralph Jasso – (2002) Jason Lader – (2003) Flea – (2003, on De-Loused in the Comatorium, trumpet on Frances the Mute) Keyboardists Linda Good – (2002) Wind Adrián Terrazas-González (also performed additional percussion) – (2004 in studio, 2005–2008 live) Discography Studio albums De-Loused in the Comatorium (2003) Frances the Mute (2005) Amputechture (2006) The Bedlam in Goliath (2008) Octahedron (2009) References External links Official website Omar Rodriguez Official Website The Mars Volta Live Concert Repository Interview with Omar about The Bedlam in Goliath af:The Mars Volta an:The Mars Volta be:The Mars Volta cs:The Mars Volta co:The Mars Volta da:The Mars Volta de:The Mars Volta es:The Mars Volta fr:The Mars Volta fy:The Mars Volta ga:The Mars Volta gl:The Mars Volta hr:The Mars Volta ia:The Mars Volta it:The Mars Volta ka:მარს ვოლტა la:The Mars Volta hu:The Mars Volta nl:The Mars Volta ja:マーズ・ヴォルタ no:The Mars Volta uz:The Mars Volta pag:The Mars Volta pl:The Mars Volta pt:The Mars Volta crh:The Mars Volta ksh:The Mars Volta qu:The Mars Volta ru:The Mars Volta se:The Mars Volta sco:The Mars Volta stq:The Mars Volta simple:The Mars Volta sl:The Mars Volta sr:The Mars Volta fi:The Mars Volta sv:The Mars Volta tr:The Mars Volta vec:The Mars Volta wa:The Mars Volta zea:The Mars Volta

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